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A Natural Turn: María Berrío, Joiri Minaya, Rosana Paulino, and Kelly Sinnapah Mary
Suggested Reading
A Natural Turn: María Berrío, Joiri Minaya, Rosana Paulino, and Kelly Sinnapah Mary: Suggested Reading
Overview
About the Artists
Suggested Reading
Suggested Viewing
Explore Themes
Article Databases
About the Curator
Citing Sources
Research Help
DPAM Exhibition Guides
Articles, Essays and Reviews
María Berrío
María Berrío: “My Characters Are Part of a Full World Who Can’t Exist Without Others.” Elephant, 13 Apr 2021.
Horton, Adrian. ‘Like magical Realism’: María Berrío on Her Surreal Collages. 20 Jun 2020.
Salomé Gómez-Upegui. "These Are the Women I Want to Be." : María Berrío’s Visions of Displacement. Hyperallergenic, 22 Apr 2021.
Nechamkin, Sarah. "María Berrío’s Multi-textural Latin American Dreamscapes." Interview, 5 Jun 2019.
“As Complicated and Elusive as Reality”: María Berrio’s Many-Layered Collages (with an interview by C. J. Bartunek). The Georgia Review, Spring 2019.
"María Berrío" in Hernandez, Jasmin. We Are Here : Visionaries of Color Transforming the Art World. New York, New York: Abrams, Inc., 2021, 37-44.
Call Number: e-book
ISBN: 9781647001681
Joiri Minaya
Cruz, Angie. “Joiri Minaya: Dominican Postcards.” Aperture, no. 245 (Winter 2021): 128–33.
Minaya, Joiri. “Binaries and Inbetweenness.” Caribbean Quarterly 60, no. 3 (2014).
"Artist Interview: Joiri Minaya." 24 Jan 2021.
Anderson, Kayla. Joiri Minaya Unravels Social Fabrics and Draws Attention to Patterns. Art21.
"Interview with Joiri Minaya." Baxter Street.
Flower, Isabel. "Joiri Minaya." Foundwork.
In Conversation with Joiri Minaya Considerations on the “Tropical Identity.” Contemporary And América Latina.
Rosana Paulino
Cleveland, Kimberly. “Appropriation and the Body: Representation in Contemporary Black Brazilian Art.” Journal of Black Studies 41, no. 2 (November 2010): 301–19. https://doi.org/10.1177/0021934709349458.
Fletcher, Kanitra. “Up for Review: Re-Presentations of Black Women’s (art)work.” N. paradoxa, no. 27 (2011): 52–59.
(DePaulians can request a scanned pdf of this article through interlibrary loan)
Santos de Araújo, Flavia. 2019. “Rosana Paulino and the Art of Refazimento: Reconfigurations of the Black Female Body in the Land of Racial Democracy”. Brasiliana: Journal for Brazilian Studies 8 (1-2):63-90. https://doi.org/10.25160/bjbs.v8i1-2.114869.
Braga dos Santos, Vivian. "The Almost-Brazilians An Ode to the Voracity of Multiple Identities." Brooklyn Rail, Feb 2021.
da Silva Souza, Vinicius. "The Times of Rosana Paulino / Os Tempos de Rosana Paulino." WSQ: Women's Studies Quarterly 49 (2021): 442-447. doi:10.1353/wsq.2021.0051.
Kelly Sinnapah Mary
Andil Gosine; After Indenture. Small Axe 1 July 2017; 21 (2 (53)): 63–67. doi: https://doi.org/10.1215/07990537-4156774
D'Souza, Aruna. "From the Trauma of Migration Springs Beauty: [Movies, Performing Arts/Weekend Desk]." New York Times, 17 Jun 2022.
Gosine, Andil. "Désir Cannibale: Kelly Sinnapah Mary’s Notebook of No Return", Asian Diasporic Visual Cultures and the Americas 5, 1-2 (2019): 11-30, doi: https://doi.org/10.1163/23523085-00501002
Outar, Lisa. "Non-return: An Interview with Guadeloupean Artist Kelly Sinnapah Mary" in Indo-Caribbean Feminist Thought : Genealogies, Theories, Enactments. Edited by Gabrielle Hosein and Lisa Outar. New York: Palgrave Macmillan, 2016.
Call Number: 305.4209729 I411, John T. Richardson Library (print source)
ISBN: 9781137570796
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