Julia Fish: Bound by Spectrum is one of three exhibitions on view at DPAM that include themes of interdisciplinary and personal responses to architecture, geography, and notions of home, presented on the occasion of the Chicago Architectural Biennial. Fish's work comes from slow observation of domestic space and architectural detail and has emerged over decades of examining her home and studio. The paintings depict blueprints, lighting fixtures, stairs, floor panels, tiles and thresholds rendered through the language of abstraction. Colors used relate to a system devised by the artist to denote locations within the building and indicate the cardinal direction of the spaces she references.
Language of Abstraction / Formal Elements of Painting / Observation of Light
Fish's work explores the nuances of color, shape, and line - a concern shared with geometric modernists such as Piet Mondrian, Josef Albers, Agnes Martin, Ellsworth Kelly, Alfred Jensen, Sol Lewitt, Jo Baer, Alighiero Boetti, and Mary Heilman. Fish is also focused on the observation of atmospheric light and how the movement of light shifts one's perception. Studying the effects of light continues a tradition of intensive study by painters such as J.M.W. Turner and Claude Monet (view Turner's work and Monet's Haystack studies at the Art Institute of Chicago).
Contemplating Domestic Space
Slow Observation
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Full access to all journal, thematic and primary source collections on JSTOR which includes the full text of more than 2,600 journals in business, social sciences, science, and the humanities. Includes access to all journal, thematic and primary source collections including JSTOR Arts & Sciences 1-15, Business IV, Hebrew Journals, Ireland, Life Sciences, Public Health Journals, Lives of Literature, Security Studies, and Sustainability.
Guide to current literature of architecture and design. Covers international, scholarly and popular periodical literature, including publications of professional associations.
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